Film Korea Lies 1999

Directed by Yun-ho Yang. With Shin-yang Park, Ji-Hyun Jun, Mu-song Jeon, Se Jun Kim. A girl named Jung-min writes to a young man named Hyun-jun, who is serving in the army. Running time 111 minutes Language Korean Lies (, Gojitmal) is a 1999 South Korean film depicting a sexual relationship between a 38-year-old sculptor and an 18-year-old high school student. It was the debut film for both of its stars; is a sculptor and, a fashion model.

Film
  • Synopsis A girl named Jung Min writes to a young man named Hyun Jun, who is serving in the military. She lies about her age and claims to be a teacher. When Jung Min (Jun Ji Hyun) turns 20, a 30-year-old man (Park Shin Yang) with sad eyes, moves into her village.
  • Directed by Sun-Woo Jang. With Sang Hyun Lee, Tae Yeon Kim, Hyun Joo Choi, Kwon Taek Han. 18-year-old schoolgirl Y chooses her first lover (rather than wait to be raped, as were her two older sisters).
  • Jika anda ingin Tahu film apa Yang memiliki Alur Cerita Yang dapat membuat anda tertarik Salah satunya Adalah film lies 1999 sub Indo film ini Adalah Salah Satu film Yang Sangat Patut anda Tonton perlu anda ketahui film ini Adalah film buatan tahun 1999 memiliki Alur Cerita Yang Sangat menarik Dan bisa membuat anda ketagihan untuk menontonnya.

South Korea
1999, 115 min
Section: New Korean Cinema
Year: 2001


Synopsis

18-year-old secondary-school student Y has decided to lose her virginity. Her friend Woori is in love with a 38-year-old sculptor named J but doesn’t have the courage to make contact with him. Desiring to help her friend, Y calls J to arrange something for Woori. But J’s voice gets Y so excited that she makes a date with him herself. The film depicts J and Y’s passionate, sadomasochistic relationship which eventually grows into a fatal obsession. Director Jang Sun Woo says that after reading the book Tell Me a Lie, banned in Korea shortly thereafter, he didn’t have the slightest desire to turn it into a film and accepted the project only at the insistence of his producer. Most of the sexual practices described in the book were completely foreign to the director. The author of the novel, Jang Jung Il, was sentenced to six months imprisonment for writing Tell Me a Lie. It was Korea’s first case in which an author was prosecuted for pornography. Lies premiered at the Venice IFF in 1999.

About the director

Lies Korean Film

Film korea lies 1999 cast

Jang Sun Woo, the well-known enfant terrible of Korean film, is best known as the director of Timeless Bottomless Bad Movie (1997, Critics’ Prize at the Tokyo IFF) and A Petal (1996). He is also responsible for writing the script for most of his films, works which differ widely both in terms of subject matter and directing style. Jang Sun Woo tries not to repeat himself at all costs, and therefore always works with different actors. And if the film is a literary adaptation he chooses the work of a different author. But he bent the rules to make Lies in that he returned to the work of controversial writer Jang Jung Il after having already used another of his works as inspiration for To You, From Me (1994). Selected filmography: The Age of Success (1988), Road to the Way Racetrack (1991), Way to Buddha, awarded the Alfred Bauer Prize at the Berlin IFF in 1993.

Lies 1999 Movie

About the film

Black & white, 35 mm

FilmSinopsis film korea lies 1999
Section: New Korean Cinema
Director:Jang Sun Woo
Screenplay:Jang Sun Woo podle románu Jang Jung Ila Tell Me a Lie/based on the novel Tell Me a Lie by Jang Sung Il
Dir. of Photography:Kim Woo Hyung
Music:Dal Palan
Editor:Park Gok Ji
Producer:Shin Chul
Production:Shincine Communications
Cast:Lee Sang Hyun, Kim Tea Yeon, Jeon Hye Jin, Choi Hyun Joo, Han Kwon Taek
Rating: 1

Lies 1999 Full Movie

Ah, sadomasochism, the gift that keeps on giving–—welts, bruises, tattoos in all sorts of interesting places and that’’s the theme of LIES, the latest flick from Jang Sun Woo, up until now one of my favorite directors on the world scene. But, hey, everyone slips up occasionally.

Streaming Film Korea Lies 1999

For Jang it’s a particularly joyless coupling of a hot-to-trot 18-year-old co-ed and a jaded 38-year-old artist with a fetish for spankings. The sex, and there is a lot of it, is clinical, graphic and mechanical. And not smoothly mechanical at that. This is sex with all the passion of a geometry proof and all the awkwardness of a junior high school dance, and yet with none of the endearing sweetness that is sometimes to found at such functions. There are grunts, there are slurps, there is rooting around, is it feeding time at the pig trough? No! They’re having sex again!

Are the actors, who are making their screen debuts (and swan songs if there is any justice) actually doing it? With their decidedly grim expressions, they certainly couldn’t look as if they were having a worse time, and I’’m not sure what conclusion to draw from that. This is a porn film without the money shots or the fun, on anybody’’s part. As the sounds of slapping birch branches and yelps of, well, I’’m not sure what they’’re yelps of, fill the theater, one’’s mind wanders wistfully to Japanese filmmaker Nagisa Oshima’s stylish classic THE REALM OF THE SENSES, that fabulously disturbing and haunting erotic thriller that followed a doomed couple on a sexual odyssey of obsession, madness, castration and death. Jang’’s couple find little of that and what they do find takes them waaaaaaaay too long as far as audience interest or patience is concerned.

Alas, this film is so bad that it calls into question my previously held opinion of Jang. Is it possible that those earlier films, including THE LOVERS IN WOOMUK-BAEMI, were a fluke? And worse, might Korean cinema as a whole, vibrant, unselfconsciously direct, powerful in comedy and in drama, which is just now making inroads into American art houses, once again be relegated to the festival circuit as a result of the release of the morbid and sorry mess that is LIES? One hopes that the concurrent release of another Korean film, Myung-See Lee’’s NOWHERE TO HIDE, an action flick with panache, if no moral compass, is enough of a balm to forestall that.